For years, I’ve collected folders full of old ticket stubs, receipts, catalogs, booklets, invoices, postcards, labels and other printed pieces dating from 1900 – 1975. These items are best defined as “ephemera” — things that were created to serve a practical, short-term purpose — not really meant to be saved (or written about in a blog post some 50+ years later). But being a designer who loves history and design history, it comes as no surprise that these items interest me. Come to think of it, I don’t think I’ve ever met a designer that doesn’t like rummaging through shelves of thrift stores or antique malls looking for cool printed “stuff”. I believe that collecting and studying these artifacts is really important — we can learn from the past and can find inspiration for current work.

I realize that some may classify all of this “stuff” as trash, but I see it as treasure. I appreciate the printing process, the craftsmanship, the hand lettering, the attention to detail and the history behind each piece. So I’ll keep on colllecting — I’ll just have to add some more folders to the filing cabinet.

Here are just a few samples I’ve collected over the years:

What a great script — and the perfectly tracked Futura typestyle.

1900 self-promotional brochure for a Chicago architecture firm

Back of an old photo card showing amazing lettering and detail.

Sheet music with hand-drawn lettering

Camera brochure cover. I love the Pilot logo.

A great example of good design for everyday purpose.

Kodak box cover

Great numbering style on a receipt from my grandfather's hardware store (1968)

Citizens Radio cards.

Invoice from my grandfather's hardware store - I forgive the spacing (kerning) between the W and the A in "Hardware" but love the typographic choice.

Beautiful lettering style and attention to detail on the back of this photo card.

What a nice lettering style and a capital "F". c.1925

Converge SE attracts the design-conscious and the technically-savvy crowd from all over the country from a wide range of industries: education, government, small business, corporate, solo designers, and more. Experts and industry thought leaders conducted workshops and presentations that focused on topics ranging from the practical to the philosophical. Creativity, emerging technology discussions and the encouragement to push the boundaries of web design were common themes this year.

For the workshops, there were four different tracts attendees could participate in: Design; Development; Front-End Development; Marketing and Mobile. I participated in most of the Design workshops which covered everything from typography to design process to prototyping. I also participated in a lecture by J Cornelius who talked about the benefits of using HTML 5 markup language and why it’s so awesome.

And speaking of awesome, Leslie Jensen-Inman from UT-Chatanooga kicked us off Friday morning with an inspirational talk and encouraged everyone to follow their passion and to simply “make awesomeness.” Last year, Leslie spoke at Converge SE and discussed her involvement in CreateAthon On Campus at UT-C and how powerful the experience was for her and her students. Pretty cool to hear about the impact CreateAthon is making in other parts of the country. Yeah, shout out to CreateAthon!

A few notes and sidebars from some of the other speakers that I found interesting:

• From J Cornelius, a software/web developer:

- “IE7 is the new IE6″ (IE6 is a developers’ worst nightmare)

- 4.8 billion people have never seen the web

- HTML5 gives us the ability to do amazing things. Check out www.thisshell.com to see what’s possible.

- In the end, it’s our job {as web designers} to create an “experience” online.

- And lastly, J suggested that we “Go build some cool stuff.”

• Chandler Van De Water discussed typography and how he uses software to create original typeface designs. SIDEBAR: I won a typeface creation app for drawing a lowercase R! I’ll be using it to experiment with a new type family soon!

• Giovanno DiFeterici talked about historical and contemporary art and the psychology behind it. He discussed the importance of collaboration and talked about the process of creating the artwork for this year’s ConvergeSE marketing materials (which is amazing).

• Bermon Painter showed how he successfully eliminates wireframes and excessive documentation and jumps right into rapid prototyping by using sketches and actual content (as opposed to greek copy).

On Saturday, we heard from nine or ten more speakers who discussed topics ranging from mobile testing, building online communities and the importance of customer service, simplicity in design, coding for CSS, importance of social groupings and identity, design process and much more.

Overall, a great conference and a great venue to meet new people and to learn more about web design and development. Way to go Converge SE — I’ll be back next year!

The Golden Ratio looks like this:

And is defined as the ratio between two segments such that the smaller (bc) segment is to the larger segment (ab) is to the sum of the two segments (ac), or bc/ab = ab/ac = 0.618.

And can be calculated like this (adding 1 to the ratio is phi, yielding the same basic geometric relationship):

More examples of the Golden Ratio:

Fascinating! Is it an inherent aesthetic preference or is it a design technique turned tradition? How do you explain the proportion found in nature? However you decide to answer those questions, it’s hard to argue that it has had an enormous impact on art and design over the years and continues to influence design today. Next time you see something that just “feels” right, or that you just can’t take your eyes off of, take a look at the proportions and remember – Ahh, it must be the 0.618!

Thus begins the 2011 Annual Report for the Central Carolina Community Foundation. We were thrilled to work with photographer Jeff Amberg and Crowson Stone Printing on this project. Thanks, also, to CCCF’s Tonia Cochran, who wrote the profiles and was equally masterful in managing the project’s many moving parts.

(Turns out it does, in fact, take a village.)

Stylistically, Hobo looks like something crafted from 1970′s, but was actually designed in 1910 towards the end of the Art Noveau Movement. It was designed by Morris Fuller Benton, one of America’s most prolific typeface designers. After closer examination, the letters are actually well-proportioned (when typeset properly) — every part of each letter is curved, which gives it a decorative effect, but with a modern twist. It’s lowercase letters are unique — descenders that do not drop below the baseline. Yeah, it’s weird — but it’s designed to be a display type. Fairly progressive for 1910, considering that most typography from that period was very decorative and ornate.

So I’m no longer a Hobo-hater. I just hate seeing it being misused.

Note: If you’ve seen examples of Hobo type out there (good or bad), please send  some pics my way – I’m starting a collection of images and would love to include yours! Thanks.

The oldest use of Hobo I've ever seen!

Type Crime!

Back in the day, barbers used to perform medical procedures, including tooth extractions and bloodletting services. Apparently, they would hang the bandages on a pole outside to dry and the wind would wrap the bloody bandages around the pole. Yes, disturbing, but we’re talking the Middle Ages here. Leeches are part of the story, too, but I’ll leave that out for now. The pole represents the staff that was used for the patient to grip to encourage blood flow. The color red is symbolic for arterial blood, blue represents venous blood and the white symbolizes the bandages. It’s also possible that the blue was added when the signs were used in the United States, to honor the national colors.

And a note of caution: If you’re in certain parts of Asia, the barber’s pole design could be used to advertise and disguise a completely different type of business establishment, but I’ll choose to steer clear of that story.

Enlisting the talent of photographer George Fulton and working with an amazing in-house marketing team, we went to work scouting locations and lining up talent. We shot images that showcased a mix of activities and lifestyle opportunities in the area. We had a few hiccups along the way — some equipment rental issues, a flight delay and one location issue, but in the end we worked long hours to capture the best light and came away with some beautiful shots for the new campaign. Overall, a great experience.

Here are a few snapshots from behind the scenes.