Category Archives: Design

Monsterlicious.

I’d never heard of Stefan Mumaw before last week, but in the span of about an hour he crystallized what marketing has become and what it has the potential to be.

An ad agency creative director, Stefan is the author of a book called, Chasing the Monster Idea. His presentation focused on the seven characteristics of monster ideas. So just exactly what is a monster idea? Here’s his definition:

“The truly monster idea is more than just good; it transcends the boundaries of the problem to solve it so simply and so powerfully that it almost sells itself. It’s the campaign idea that grows on its own, powered by those evangelists who first discover its true value, and it forces everyone else to catch up with it—if they can.”

I’m not going to share his seven characteristics — he shares them in his book. You can download the first chapter free here or get the whole schmere here. Instead, I’ll share my biggest takeaway from his presentation.

In the past, marketers have tended to throw everything inside the kitchen sink and then throw it at a consumer hoping something — anything — might stick. Now we weren’t always quite that ham-fisted. Sometimes we presented them with one unique selling proposition in the form of a creative execution or campaign. Regardless, we told them what we wanted them to know. The goal was to sell them on something.

While we were busy deciding what we wanted them to know, consumers were being rewired. The Product no longer holds weight with them. What does is the other stuff: how that product makes someone feel or the problems it solves. They are not being sold to; they are buyers. Most important of all is the acknowledgement that the marketing universe has shifted into new territory: consumers recognize and often filter out push-style messages.

Stefan’s answer to reach this new breed of consumers is to pique their curiosity and then reward their effort with a good experience.

Marketing with the goal of making people curious? That itself is a monster idea.

RP Goes Gold, Silver and Camo at 2013 ADDYs

It’s well known that no one loves a good dress-up party more than the Riggs Partners clan. So when the Columbia AAF folks announced a Reality TV theme for the 2013 ADDY® awards gala, we harnessed our love of country and camo and showed up to the soiree on Saturday, February 17 as none other than DUCK DYNASTY.

West Columbia's finest checkin' in at the WECO

After a quick Sears Family Portrait session, we traveled en masse to 701 Whaley to join our comrades in the communicating arts for an evening to celebrate the best creative marketing in the Midlands. As pleased as we already were with our fashion sense, we were more than a little giddy with the lineup of awards that came our way in recognition of our work in 2012.

Riggs Partners received a total of 11 awards during the evening:

Special Judges Award for Excellence in Annual Report – Palmetto GBA Annual Report

Special Judges Award for Excellence in Radio – Express Oil Change Radio Campaign

Gold ADDY – Palmetto GBA Annual Report

Gold ADDY – Express Oil Change Radio Campaign

Gold ADDY – Lukas, Nace Gutierrez & Sachs Website

Gold ADDY – Bug Outfitters* Logo

Silver ADDY – Central Carolina Community Foundation Annual Report

Silver ADDY – Goodwill Industries of Midlands/Upstate SC Annual Report

Silver ADDY – Goodwill Industries of Midlands/Upstate SC Outdoor Campaign

Silver ADDY – Pulliam Morris 50th Anniversary Announcement

Silver ADDY – 52 Windows Event Poster

*official camo outfitter to the RP stars

the ADDYs were biting that day

We were thrilled to be recognized for our work across such a broad array of disciplines, and especially pleased to have Joy Skinner and Bartley Boswell from Palmetto GBA on hand to accept top honors for the Palmetto GBA annual report. Our sincere thanks go to them — and all RP clients — for allowing us to be part of such great work.

Twenty-five years after C.C. Rigg’s received Best In Show at our very first appearance at the ADDYs, the 2013 ADDYs were one for the record books and the photo album.

(Did we mention we were the Best In Show Costume Contest Winners? Well, we do have a standard to uphold.)

 

country boy, city boy

 

Country Loafers and Crazy Pepper Country

 

This here's Davis Country

Country Turners

duck, duck, shoe, addy, beard

Design is a Funnel

One of my design professors always quoted this phrase to us in class — whether he coined it or not I don’t know — but one thing is certain: it stuck. Though it took my classmates and me several semesters to really understand what it meant, the phrase is one of truth that still remains relevant to me today. Design is a funnel — a collection of thoughts and ideas sanded down to their bare bones; an eradication of anything that serves no immediate purpose; a culling of the fold; a filter; a razor; a window; a riddle; arithmetic.

When used accordingly, design can be much more than choosing a font, organizing a grid, or drawing a logo. It can be a way of thinking. But how does one tap into such a process?

In Debbie Millman’s “How to Think Like a Great Graphic Designer,” Pentagram partner Paula Scher likens the process of creativity to pulling the handle of a slot machine. She says that we must allow for a period of unconscious processing so that all our past experiences, opinions, inspirations, likes, hates, etc., can “sort of run around in a circle” until they align with the particular goals of a given brief. In other words, it’s the funneling down of one’s acquired knowledge and past experiences until all that’s left is a logical resolution to the problem at hand. It’s not not quite magic or invention, though the end result may feel like such. Design is just the simplification of ideas — a funnel for the mind.

Back in the Groove

I got my first CD player when I was in the third grade. (Author’s note to the younger generation: a CD, or “Compact Disc,” is an optical disc that digitally stores data that’s read by lasers — yes, lasers). As a result, I spent many evenings locked in my room listening to CDs and pouring over the booklets that came with them. I loved learning more about the artists, reading their lyrics as I listened, then moving on to another once the 3-disc changer reset back to one. I cherished those CDs and held onto them for a long time — until, of course, the discs got scratched.

My next logical stepping stone in music listening had to be mp3s. (Author’s note to the older generation: an mp3 is patented encoding format which uses a form of lossy data compression…oh, never mind. Just remember they play on electronic devices). While I have enjoyed the benefits of this portable format, I’ve always felt that there was something missing from the experience. It feels disingenuous to take a track that was intended to be no. 8 on someone’s carefully laid out album and stick it on a workout playlist in between Kanye West and Justin Bieber. And perhaps worst of all, I’m less inclined to spend time solely with the music I’m listening to because I’m always on my computer to be doing something else. The Digital Age has relegated music to something of a background noise.

As a graphic designer, I feel it’s important to be intentional with everything I do — including listening to music. This is partly why I love vinyl records. (Author’s note to the younger generation: vinyl records are flat discs with an inscribed modulated groove through which a needle renders sound. / Author’s note to the older generation: people still listen to vinyl). In fact, vinyl has made a bit of a resurgence in the last several years. The medium offers clarity of sound, a longer lifespan when taken care of, and my favorite part—bigger artwork! The cover art is perfectly sized for that empty spot on your bedroom wall between your bookshelf and that vintage 60′s-inspired floor lamp.

Vinyl is large, tactile, and weighty, providing a greater sensory experience to users and a plethora of possibilities to packaging designers (the latter can be seen below). It requires listeners to manually choose albums and then listen to all the songs in the order they were intended to be heard. It requires listeners to slow down and pay attention to the music. It requires listeners to listen, which is something that often gets lost in this “listen-while-you-work” playlist happy world. I’m not by any means saying it’s wrong to listen to music while doing other things (I would have Spotify on right now if it didn’t distract me from writing). I just think it’s important every once in a while to slow down, turn off the computer, and intentionally enjoy a good record. Luckily for me, vinyl necessitates just that.

Below are some of my favorite records. They help demonstrate how designers can get more creative with the medium as well as the important role design plays in the record industry.
 

A power-packed website for a powerhouse brand.

I’ve written websites before. Plenty of websites. Never, however, have I written one quite on par with one recently launched by design-build powerhouse Haskell, www.haskell.com.

The site was planned, designed and implemented by truematter — my fellow WECO mates and all-around usability hotshots. All of their Interweb magic spun off of some great brand platform development work done by the fine folks at Riggs Partners. Me? I threw in a handful or a thousand of words and followed those truematterian character counts to a tee.

Haskell’s new website was a labor of love so big it crossed weeks, months and a couple of seasons. One of the big constants throughout the massive project? A fantastic client. Throughout the project, Haskell folks researched, listened, debated, trusted, edited and, in the end, grew their brand on a level where too few companies have the chutzpah to tread.

We were thrilled to launch the website to great success a few weeks ago. But last week we were called down to Jacksonville for something brand teams don’t get to do a lot of any more: celebrate.

During the trip, our client team shared a few highlights that have come to pass since the site went live. As a whole, the company was proud. The new website was the talk of the elevators, cafeteria, jobsites and countless inboxes. We also learned it had already been a very effective lead development tool. Within hours of the launch, a new business lead. Within days, yet another.

The launch of a useful website carries a great feeling of pride. Doing it on a level that’s this polished and usable, just ratchets up the awesome factor. What’s best, though, is that the entire project was a best-practice lesson in teamwork.

We believed what we were doing mattered. And sometimes that’s the best sauce of all.