On combinations.

What’s your favorite combination?

Ryon Edwards
ink + paper

Jody Piland
A glass of white wine and a medium rare ribeye

Julie Turner
A couch, a blanket, Caddyshack and a disco nap.

Teresa Coles
Ice-cold orange juice (Simply Orange, no pulp) and Fig Newtons.

Kevin Smith
Blue and brown

Will Weatherly
Cheez-its and Cran-Grape. Childhood in a snack.

Kevin Archie
Jameson and rocks (after 5pm, of course)

What’s yours?

Humor has it: Old Spice

“If your grandfather hadn’t worn it, you wouldn’t exist.”
- a bottle of Old Spice

Old Spice has long been considered a staple in the musky shaving kits of dads and grandfathers everywhere. However, it has recently taken on an entirely different role as the harbinger of red-blooded masculinity to younger men across America who long for hairier chests, lumberjack beards, or biceps the size of Mount Rushmore. Luckily for these men, Old Spice has just what they need — and it’s not a 2-year gym membership or a year’s supply of Rogaine, either — it’s a healthy dose of humor.

Two years ago, Old Spice began a series of commercials in which masculinity was personified through the likes of one muscular, smooth-talking man who, with the help of some common stereotypes, attempts to persuade viewers to buy Old Spice body wash. These ads use just the right amount of humor and irony to appeal not only to the woman buying smelly soap for her significant other, but also to the man who wants to smell decent without sacrificing his masculinity. The original commercial, which won the Film Grand Prix at the International Advertising Festival at Cannes in 2010, has certainly contributed to much of the company’s growth since then. The popularity of the commercial has grown so much that it’s YouTube video has now reached nearly 40 million views and there have been several parodies of it as well.

Old Spice has continued to sail the ship of satirical humor on into 2012. In one if their most recent commercials, former football player Terry Crews literally bursts onto the set of a Bounce Dryer Bars commercial via explosion and a giant jet ski, loudly proclaiming (or yelling, really) how Old Spice Body Spray is “so powerful, it sells itself in other people’s commercials.” These commercials, while very different from the other series in terms of content, are so unique that even the most curmudgeonly viewer couldn’t help but remember them.

 

 

Broadcast is not the only form in which Old Spice is appealing to its target audience. Their sense of humor trickles down to the packaging as well. Each item is adorned with a classy desaturated illustration, bold modern type in all-caps, and sleek matte packaging. All appealing looks aside, when a stick of deodorant is named after a 14,690-foot mountain in the Swiss Alps and purportedly smells of “ice, wind, and freedom,” the target audience is obviously a little more specific than just any old man.

This sense of humor appeals to a younger audience of men whose hands have not been calloused from hard labor like those of their fathers and grandfathers. They don’t take life too seriously because they don’t have to yet. Therefore, they laugh about their scrawny arms, baby faces, and complete inability to understand their girlfriends, as if it were something that couldn’t be helped. And Old Spice, bottling up the romantic ideals of a generation into one concise container of manliness, tells them that’s alright.

On crayons.

What crayon color are you?

(most personality traits from Crayola’s web site)

Teresa Coles
Brick Red
hot, energetic, loud

Kevin Smith
Blue Violet
imagination, fantasy, playfulness

Jody Piland
I’m Caribbean Green. It reminds me of happy island life.
cool, crisp, fresh

Kevin Archie
Robin’s Egg Blue
serene, gentleness, sincerity

Will Weatherly
I try to be Burnt Orange. I’m probably Olive Green.
cool, crisp,  fresh

Julie Turner
Red
simple, effective, brain-grabbing

What crayon color would you be? Use this list for reference or make up your own color.

New Work: Central Carolina Community Foundation 2011 Annual Report

What is a community, if not the sum of its stories?  

Thus begins the 2011 Annual Report for the Central Carolina Community Foundation. We were thrilled to work with photographer Jeff Amberg and Crowson Stone Printing on this project. Thanks, also, to CCCF’s Tonia Cochran, who wrote the profiles and was equally masterful in managing the project’s many moving parts.

(Turns out it does, in fact, take a village.)

On Super Bowl Ads.

What was your favorite Super Bowl XLVI ad?



Kevin Smith
Chrysler – 2012 – It’s halftime in America

Will Weatherly
Hyundai – All For One (Featuring Rocky Theme Song)

Julie Turner
No U.S. spot did it better than Budweiser’s Flash Fans spot. It ran in Canada, eh.

Jody Piland
The M&M’s Just My Shell commercial. I could watch it a thousand times, and laugh every single time.

Cathy Monetti
Chrysler / Clint Eastwood

Ryon Edwards
Volkswagen – The Dog Strikes Back

Kevin Archie
The Chevy Truck Apocalypse commercial.

On childhood dreams.

When you were young, what did you want to be when you grew up?


Cathy Monetti
I only remember NOT wanting to be a nurse. Ever.

Teresa Coles
A Barbie doll fashion designer. Evening gowns were a specialty.

Kevin Smith
I wanted to drive an ice cream truck.

Ryon Edwards
An architect.

Julie Turner
A medical examiner just like Quincy.

Will Weatherly
Frontman for a world-renowned rock band.

Kevin Archie
An artist, according to the drawing I made in first grade.

Jody Piland
I wanted to be a lawyer. I could argue, no matter how wrong or right I was, until I was blue in the face.

What did you want to be?

Consider Your Audience

My mom recently told me a story about one of her 4th grade students interrupting class to ask about a picture of her on Facebook. Other students immediately chimed in as well, revealing their extensive knowledge of her family, where she went on summer vacation, what she did on her birthday last week, her favorite inspirational quote, and so on and so forth. Her profile — which she thought was set to private and could only be viewed by friends — was Facebook-stalked by a bunch of 10-year-olds with nothing better to do.

It’s scary to me how easy it is to make our personal lives public in today’s digital world. We market and brand ourselves daily via social networking sites like Twitter and Facebook without truly considering our audience. With over 400 million people connecting to Facebook every day, we now have the chance to share our personal lives and opinions with an audience 10x greater than the one President Barack Obama had for his recent State of the Union address. These onlookers could include anyone from your grandmother to your future boss to your creepy next door neighbor who strolls to the mailbox every morning wearing nothing but a bath robe, so it’s comforting to know that there are options available to minimize how much of our lives we share online.

However, the method of securing our privacy through these social networking sites is constantly changing: either being made simpler for the sake of clarity or more intricate for a more personal approach to your privacy. While it is beneficial for companies to update their policies for the sake of the user, it can often lead to consumer confusion in the process. For example, I helped my mom update her Facebook settings and found the new options far too verbose and confusing. By the time I’d finished, I wasn’t even positive that I’d checked the right options.

Google recently updated their privacy policy by getting rid of 60 different policies and combining them into one that is more concise and easy to understand. Perhaps some day other companies will follow suit. But until that happens, I think we should all take another look at the information we are sharing with the world — literally, the world.

To see just how much the internet has invaded your personal life, click here and type in your name and city.

Métro Signage

The Métropolitain – Paris’ rapid transit metro system – has 245 different stations within 34 square miles of Paris, many of them exhibiting unique interiors that set them apart from the rest. I had the opportunity to witness this firsthand on a recent trip to Paris several weeks ago.

Abbesses – Its chipped tiled type contrasts well with these round yellow chairs that could have been pulled straight from a Herman Miller catalog.

Concorde – A 100+ year old stop with a grid of letters spelling out the Declaration of the Rights of Man and of the Citizen, a fundamental document of the French Revolution (wall of type=revolutionary idea).

The Métro signs at each entrance also differed from each other at different stops. These variations were not nearly as widespread, however, and their usage seemed random and non-specific to location. I did some research to find out why.

This is one of the 83 original surviving art nouveau entrances and is seen as an iconic symbol of Paris. It was designed by Hector Guimard in 1900 and its style caused much surprise and controversy. This is the primary stop we used on our trip (Abbesses) and it’s also one of the three remaining entrances with a more elaborate glass canopy.

This simpler version, a metal balustrade accompanying a “Métro” sign crowned by a spherical lamp, could be found in early stations around 1910.

This one has a similar type treatment to the previous, but is simplified even more with its stronger sans serif lettering placed onto a stone wall.

Signposts with just an “M” have become the norm since the 1970′s to present.

To see more pictures from the trip, check out my Flickr feed.

 

On jobs and money.

Would you rather be poor and work at a job you love or be rich and work at a job you hate?

Pete Anderson
Poor/job I love.

Julie Turner
You can’t fully enjoy bathing in one hundred dollar bills if you loathe what you do for most of the day. I’d choose poor with a job I love.

Kevin Smith
Of course I’d choose to be poor and work at a job I love. I specialize in being rich without actually having any money.

Kevin Archie
If you can find a job you love, I think you’re lucky to be there regardless of pay.

Publicité & Graphisme

“A poster, unlike a painting, is not and is not meant to be, a work easily distinguished by its manner—a unique specimen conceived to satisfy the demanding tastes of a single more or less enlightened art lover. It is meant to be a mass-produced object existing in thousands of copies like a fountain pen or automobile. Like them, it is designed to answer certain strictly material needs. It must have a commercial function.”

-AM. Cassandre, translated by Michael Taylor

AM Cassandre, "Dubonnet" - 1932

In a few days I will be traveling to Paris for a vacation and I wanted to familiarize myself with the history of French design, but I found no books or blogs on its history. This is, perhaps, due to France’s overwhelming amount of cultural history in painting, cinema, food, and fashion. Though French design seems to play a smaller role in France’s cultural history when compared to so many other facets of artistic expression, it’s advertising (publicité) and typographic (graphisme) legacies are by no means insignificant to a broad popular culture. (1) Below you will find an assortment of beautiful French posters that represent a rich cultural history of French graphic design.

 

Toulouse-Lautrec, "La Chaine Simpson" 1890's

Roland Ansieau, "Berger" 1935

Raymond Savignac, "Autorail Paris" 1937

Ramond Savignac, "Cigarettes Collie" 1952

Bernard Villemot, "Orangina" 1953