For years, I’ve collected folders full of old ticket stubs, receipts, catalogs, booklets, invoices, postcards, labels and other printed pieces dating from 1900 – 1975. These items are best defined as “ephemera” — things that were created to serve a practical, short-term purpose — not really meant to be saved (or written about in a blog post some 50+ years later). But being a designer who loves history and design history, it comes as no surprise that these items interest me. Come to think of it, I don’t think I’ve ever met a designer that doesn’t like rummaging through shelves of thrift stores or antique malls looking for cool printed “stuff”. I believe that collecting and studying these artifacts is really important — we can learn from the past and can find inspiration for current work.

I realize that some may classify all of this “stuff” as trash, but I see it as treasure. I appreciate the printing process, the craftsmanship, the hand lettering, the attention to detail and the history behind each piece. So I’ll keep on colllecting — I’ll just have to add some more folders to the filing cabinet.

Here are just a few samples I’ve collected over the years:

What a great script — and the perfectly tracked Futura typestyle.

1900 self-promotional brochure for a Chicago architecture firm

Back of an old photo card showing amazing lettering and detail.

Sheet music with hand-drawn lettering

Camera brochure cover. I love the Pilot logo.

A great example of good design for everyday purpose.

Kodak box cover

Great numbering style on a receipt from my grandfather's hardware store (1968)

Citizens Radio cards.

Invoice from my grandfather's hardware store - I forgive the spacing (kerning) between the W and the A in "Hardware" but love the typographic choice.

Beautiful lettering style and attention to detail on the back of this photo card.

What a nice lettering style and a capital "F". c.1925

Converge SE attracts the design-conscious and the technically-savvy crowd from all over the country from a wide range of industries: education, government, small business, corporate, solo designers, and more. Experts and industry thought leaders conducted workshops and presentations that focused on topics ranging from the practical to the philosophical. Creativity, emerging technology discussions and the encouragement to push the boundaries of web design were common themes this year.

For the workshops, there were four different tracts attendees could participate in: Design; Development; Front-End Development; Marketing and Mobile. I participated in most of the Design workshops which covered everything from typography to design process to prototyping. I also participated in a lecture by J Cornelius who talked about the benefits of using HTML 5 markup language and why it’s so awesome.

And speaking of awesome, Leslie Jensen-Inman from UT-Chatanooga kicked us off Friday morning with an inspirational talk and encouraged everyone to follow their passion and to simply “make awesomeness.” Last year, Leslie spoke at Converge SE and discussed her involvement in CreateAthon On Campus at UT-C and how powerful the experience was for her and her students. Pretty cool to hear about the impact CreateAthon is making in other parts of the country. Yeah, shout out to CreateAthon!

A few notes and sidebars from some of the other speakers that I found interesting:

• From J Cornelius, a software/web developer:

- “IE7 is the new IE6″ (IE6 is a developers’ worst nightmare)

- 4.8 billion people have never seen the web

- HTML5 gives us the ability to do amazing things. Check out www.thisshell.com to see what’s possible.

- In the end, it’s our job {as web designers} to create an “experience” online.

- And lastly, J suggested that we “Go build some cool stuff.”

• Chandler Van De Water discussed typography and how he uses software to create original typeface designs. SIDEBAR: I won a typeface creation app for drawing a lowercase R! I’ll be using it to experiment with a new type family soon!

• Giovanno DiFeterici talked about historical and contemporary art and the psychology behind it. He discussed the importance of collaboration and talked about the process of creating the artwork for this year’s ConvergeSE marketing materials (which is amazing).

• Bermon Painter showed how he successfully eliminates wireframes and excessive documentation and jumps right into rapid prototyping by using sketches and actual content (as opposed to greek copy).

On Saturday, we heard from nine or ten more speakers who discussed topics ranging from mobile testing, building online communities and the importance of customer service, simplicity in design, coding for CSS, importance of social groupings and identity, design process and much more.

Overall, a great conference and a great venue to meet new people and to learn more about web design and development. Way to go Converge SE — I’ll be back next year!

The Golden Ratio looks like this:

And is defined as the ratio between two segments such that the smaller (bc) segment is to the larger segment (ab) is to the sum of the two segments (ac), or bc/ab = ab/ac = 0.618.

And can be calculated like this (adding 1 to the ratio is phi, yielding the same basic geometric relationship):

More examples of the Golden Ratio:

Fascinating! Is it an inherent aesthetic preference or is it a design technique turned tradition? How do you explain the proportion found in nature? However you decide to answer those questions, it’s hard to argue that it has had an enormous impact on art and design over the years and continues to influence design today. Next time you see something that just “feels” right, or that you just can’t take your eyes off of, take a look at the proportions and remember – Ahh, it must be the 0.618!

Meanwhile, Coca-Cola does something beautiful. They turn their cans white for the World Wildlife Fund . This profound gesture reminds me why I love the business of branding. Amidst all the chaos, Coke’s Arctic Home campaign feels like a refuge. A company doing something good, just because it is a good hearted company.

Coke’s white can inspired our marketing strategy for our client Moe’s Southwest Grill. Moe’s is incredibly supportive of schools and children’s charities, and we’re working on ways to further deepen their support at a neighborhood level.

Moe’s reminds me that we have to continually raise the bar. They are constantly tweaking their menu. They were the first retailer in town with Coke’s incredible new Freestyle machine. Better training, improvements to the prep line, and monitoring measuring customer feedback all followed a discussion about marketing strategy.

As the economy continues to strain business, brands easily fall into a mentality of persistence spawned by risk avoidance. I would argue that today’s challenging business climate demands constant improvement and innovation. I invite you to share a Coke with a colleague and start exploring how you might change things for the better.

What is your writing utensil? How deep does your loyalty run?

Pete Anderson
I have no loyalty to any style, brand or color of writing implement. I’ll use whatever I can get my hands on and count it as a victory if I get through the day without losing it.

Ryon Edwards
for pen: Uniball Vision (fine point)
for brush/ink: Dr. Ph Martin’s Black Star HiCarb
for pencil: Staedtler Mechanical (.5) with B or 2B lead
Loyalty factor: 6/10
Do I win the most nerdiest answer prize?

Teresa Coles
Any one of my very fine Clemson pens. Go Tigers!

Kat White
At work: Sharpie fine point pens. At home: Pilot G-2.Always black ink, never blue. Pencils make me shudder. High-maintenance?

Julie Turner
Zip. Crayons, Sharpie markers and refrigerator magnets all make equally good words.

Kevin Smith
Blue felt tip.

The reason why I am explaining all of this is because I’m sitting here, three weeks after CreateAthon, trying to pinpoint what my greatest memory was. I’ve been staring at a blank computer screen trying to find the exact moments that have defined my experience and I’m starting to realize, I don’t think it’s possible. So much has gone into this, by so many that I don’t think it would be fair to the cause if I continued to try. In politics, there are so many ups and downs that it is easy to look back and point out the good. With CreateAthon, this isn’t possible. There is nothing but good and more good. There is a lot emotion attached to CreateAthon, but it’s all happiness and gratitude.

Riggs CreateAthon team 2011

National CreateAthon Week may have already passed, but it is not over for me. My job is to help it grow on the national level so that we can continue to bring in more agencies and nonprofits. I want this program to mean as much to our fellow and future agencies throughout North America, as it does to everyone here at Riggs Partners. Our 24 hours may have ended, but we still have three agencies left that are working hard to prepare for their CreateAthon. Be sure to cheer on Hypno Design, Flipside, and Trickey Jennus as they bring CreateAthon 2011 to an end and we’ll begin preparing for an incredible CreateAthon 2012.

– Jody Piland

What’s your go-to rainy day record?

Kevin Archie
Greetings from Michigan by Sufjan Stevens

Kevin Smith
Sugar Tax by OMD

Teresa Coles
Rain, by Patty Griffin, of course.

Ryon Edwards
It’s been The Cave Singers this week. Specifically the newest “No Witch” album. Refreshingly gritty.

Cathy Monetti
Live in Paris by Diana Krall

Julie Turner
Glee, Guster or anything else that starts with G apparently.

Kathryn White
The Creek Drank the Cradle by Iron and Wine

Your turn! Leave a comment and tell us what you like to listen to on a rainy day.

What’s your most memorable allnighter?

(In honor of CreateAthon 2011, happening here at Riggs as you read!)

Cathy Monetti
The 1992 C.C.Rigg’s Christmas Party at my house in Greenville. It was my
first social since giving birth five weeks earlier, and I do believe Tim
Burke, Jay Coles and I were standing in the driveway when the paperboy
delivered the newspaper the next morning.

Pete Anderson
The night before my senior thesis was due. The fatigue was nothing compared
to the sense of relief I felt upon completing a semester’s-worth of work!

Kevin Archie
When I was at the design program at USC, I distinctly remember the night before portfolio review day (aka Armageddon) because it was the end of my first “trial” year as a graphic designer, and I would soon find out if I could continue studying in the program. In other words, the rest of my life hinged on my ability to mount ten pieces of paper in a book. Fortunately, after spending the entire night cutting and pasting, I turned in my portfolio on time and found out the next afternoon that I was accepted to the program and would be “allowed” many more sleepless nights to come.

Kevin Smith
Determined to use my frequent flier miles, in the Paris airport, where hotels clearly insisted that every chair have arms.

Rebecca Jacobson
If I could remember that far back, my guess is it wouldn’t be something to
write about publicly!

Teresa Coles
The all-night ADPi house party at North Myrtle Beach during “first week”
after my freshman year. I left the beach house at o-dark-thirty, snuck into
my parent’s house for a shower without being seen, and went straight to a
job interview with a local bank. Then back to the beach in time to lay out
at 11:00 am!

Kathryn White
I’ve pulled more allnighters in my life than I’d ever care for my mother or doctor to know. Most memorable: the time I did two in a row — when after staying up all night to write papers, a boy kidnapped me the next night for a spontaneous trip to a legendary 24-hour restaurant several hours away. I still think that four a.m. “dinner” was worth it.

Ryon Edwards
Probably shouldn’t answer that question. My Mom reads our blog occasionally.

2011 shirts designed by Maria Fabrizio.

We’ve been counting down for weeks, but it’s finally here: CreateAthon week. This Thursday, we’ll roll up our sleeves, ingest a little too much caffeine, and get creative for ten deserving nonprofits who inspired us this year. As you can see, CreateAthon season is a little like Christmas for some of us.

Here’s the 2011 roster of the nonprofit organizations we selected for CreateAthon this year.

Youth Corps

Vital Connections

Columbia MSA Talent Dividend

Congaree Land Trust

Walker Foundation/SC School for the Deaf and Blind

PASOs

Mental Illness Recovery Center (MIRCI)

Haiti Orphan Foundation

Kershaw County Literacy Association

Memory Matters

Wanna see the magic happen? Follow us on Twitter and stop by the blog. We’ll be dropping in to update during our 24 hours of creative goodness.

Act like an owner. – Chris Colbert, CEO of Holland-Mark

Chris told me a story about an empty yogurt cup. On his way into the office one morning, he noticed a used yogurt cup – just hanging out on the floor of the entryway. It looked pretty gross. Had his arms not been full, he would have picked it up. But they were, and besides, a whole office of employees would be coming in behind him. Someone would surely dispose of it. When he left for lunch, the yogurt cup was still there. He brought the empty cup to their next meeting, where it became an object lesson in ownership and responsibility.

What does it really mean to be an owner? To take responsibility for our investments. We choose to do this or not do this every day. We can be owners in our relationships, in our workplace, with our brand of toothpaste. We get to decide when something matters enough to us to take action.

The key for marketers is understanding what inspires that transition from mere participant to owner. What does it take for a brand to become meaningful enough for a person to claim their part – however small – in that brand’s story?

People step up where their contributions matter.

People who love your brand are more common than you might think – but that doesn’t necessarily mean they’re your brand advocates. I’m a fan of CVS pharmacies. When faced with a choice between CVS and Walgreens, I’ll always choose CVS. In fact, I’d even call myself as a “CVS loyalist.” But I’m not sharing my CVS love with anyone in my life. I’m not a fan of CVS on Facebook. I don’t follow them on Twitter. I don’t know if I’ve ever visited their website. Why? Well, I’ve never been asked. And if I do decide to fan their Facebook page, does CVS actively want to hear from me? Is their online community centered on getting to know and love the people who love them the most?

People step up to be part of something.

We all want to belong. Think about the brands people talk about, the classics they are proud to wear and claim and be identified by. The common denominator is a vibrant community, a sense of group identity. We are more likely to take ownership when we feel we are joining something larger than ourselves.

If you want to create brand loyalists, keep doing the things that make your organization special. And if you want to create chatty brand loyalists, build a community that inspires your employees and your biggest fans to claim their own piece of your brand story.